Articles and Reviews
TEXTS/VIDEOS THAT REFERENCE MY WORK ( Chronologically arranged)
FOLDS AND FAULTS. An Exhibition by African Women Artists Examining Identity, Culture and Heritage. An online exhibition curated by Carol Brown and Zinhle Khumalo for UFS, from September 2020 on Instagram. https://www.instagram.com/p/CE6WbCqFDLR/?igshid=inbao15hbf1g
Miller, G (ed). 2018. Catalogue of Art as Destination Co Creation of Culture, International Tourism South Africa (ITSA) 7th Biannual Conference exhibition, CSIR IC, Pretoria https://issuu.com/gwenmiller0/docs/art_as_destination_co_creation_of_culture_for_web.
Miller, G (ed). 2017. Catalogue of Sticky TIME, Rooftop IX, St Lorient Gallery, Pretoria Conidaris, M. 2016.
outoftheCUBE is an online exhibition platform designed specifically for South African artists to share their work in the form of structured exhibitions, in - Art Times, October: page 22 Also available at 23. www.arttimes.co.za Miller, G. 2015: TRANSCODE: dialogues around intermedia practice.
Lüneburg, N. 2012. The Terra series: ‘Terra Firma’, ‘Terra Nullius’, ‘Terra incognita’, ‘Terra Periscolosa’.
ISSN: 00043389. De Arte: views and (re)views, Issue 86:39-57. Lauwrens, Jenni. 2012. Gevaarlike landskappe lê ook in kop en lyf: Terra Periscolosa, Fried Contemporary, Pretoria. Review in
Beeld. 2012-07-22 23:13. Art: forever innovating. 2012.
UNISAWISE, UNISA Publication. Winter 2012: 30-33. Myburg, J, 2011. Kuns in gesprek oor gesprek tussen media. Review in
Beeld. 2012- 09-27:18. De Villiers, C. 2011. Stadsmens se band met tegnologie. Article in
Beeld. 2012 :13. Naidu, KR, 2011. State of the Art.
Link Magazine, UNISA Publication.
ARTICLES, CATALOGUES AND ESSAYS
Miller, G (ed). 2018. Catalogue of Ethics, affect and endurance, curated in collaboration with Fikile Mnisi and Nina Newman as part of the IAEE Conference 2018, Spier, Cape Town, South Africa, https://issuu.com/gwenmiller0/docs/ethics_catalogue.pptx
Miller, G (ed). 2018. Catalogue of Art as Destination Co Creation of Culture, International Tourism South Africa (ITSA) 7th Biannual Conference exhibition, CSIR IC, Pretoria https://issuu.com/gwenmiller0/docs/art_as_destination_co_creation_of_culture_for_web
Miller, G (ed). 2017. Catalogue of Sticky TIME, Rooftop IX, St Lorient Gallery, Pretoria Miller, G. 2015. Modelling an innovative approach to intermediality within Visual Art practice in South Africa. Thesis: DLitt et Phil (in Art History) with practice-led methodology, Pretoria: UNISA.
http://hdl.handle.net/10500/22002 Miller, G & De Villiers, C. 2014. The Journey to Freedom.
SEEN Journal (XIV.1) – Unsettled Ground. Miller, G. 2011. Weggooi-verf word argeologiese fonds: Carolyn Parton. Article under
Kunskyk in Beeld. 6 Sept: p10. Miller, G. 2010. Mediated Systems. In
December 2010, Volume: Nr 2, 196-203. ISSN: 1814-7240. DESIGN>ART No. 2. Pretoria: DESIGN>MAGAZINE, Miller, G. 2008. Erasure negotiates memory, introduction to the catalogue of Kai Lossgott, for the exhibition Nothing with skin is blind.
Miller, G. 2007. Philip Badenhorst: Sublime Turmoil,
South African Journal of Art History 22(3):191-207.
2018 “Affect and complexity of ethics in visual arts: a curatorial reflection” 6th IAEE CONFERENCE: A LONG WALK TO EDUCATION, Spier, Stellenbosch.
2018 “Environments of Complexity: making sense of worlds” International Tourism South Africa (ITSA) 7th Biannual Conference: Collaboration and co-curation, CSIR IC, Pretoria
2017 “Process in Contemporary Art: Colleen Alborough and Sello Mahlangu” CHS School of Arts Triennial Conference: Exploring the African continent through the Arts, UNISA
2016 “Reciprocity between embroidery and animation: an intermedial case study”, Intertextual Textiles: Parodies and Quotations in Cloth, Conference, UJ.
2015 “The Intermedial nature of Practice-led Research” Research and innovation conference, UNISA, Research and Innovation Week.
2014 “The Practice Turn & Research methodology in Visual Arts” Practice-led Writing Roundtable, VIAD, University of Johannesburg
2013 Panellist in round table discussion of MetroMusings, UP
2013 “Reflecting on Practice-led Methodology in DLitt et Phil.” Higher Degrees Seminar, UNISA.
2013 “Mediamatic processes in the hybrid artworks of Frederik Eksteen.” Rethinking Intermediality in the Digital Age, Sapientia Hungarian Univ. of Transylvania, Romania.
2012 & 2013 “Intermedia practice in the embroideries of The Journey to Freedom Narratives and Synchronic Journey” Bamboo Room & Senate Hall, UNISA
2012 “TRANSCODE: dialogues around intermedia practice” 27th SAVAH, UNISA
2012 “Dialogues between craft and digital art: Intermedia practice and remediation” Cultural Heritage and the creative arts International Conference, Johannesburg
2012 “Intermedia practice in the embroideries of The Journey to Freedom Narratives” Other views: art history in (South) Africa and the global South, Wits
2003 Workshop participation: International Conference on Race: Racial Reconciliation. William Winter Institute for Racial Reconciliation, the University of Mississippi, USA